30 Rock Me AmadeusBy mixing the high brow of Amadeus and low brow of porn, 30 Rock bridges the unfunny valley.
Judah Friedlander as Frank on NBC's '30 Rock' -
NBC
The strike was tough on us, I have to admit it, so perhaps that makes the return of all these new episodes look rosier to me than they should (certainly rosier than they look to Cole!) but I think when all is said and done this 30 Rock will go down as one of their finest. The second half homage to Amadeus alone was (forgive the term) genius, but on top of that they gave perhaps the best explanation of the Uncanny Valley theory of human facsimile (Tom Hanks in The Polar Express is indeed creepy). Tracy as Mozart is a leap to be sure, but as a genius trying to bridge the Uncanny Valley in merging video games with porn it worked great. It's a quest that's been tried before, namely by Frank (and "history's greatest perverts -- Walt Disney, Larry Flynt, the Japanese.") Pitting Tracy's Amadeus against Frank's Salieri wouldn't have worked if it weren't for the use of Mozart's "Requiem: Lacrimosa," which you hear throughout the episode's latter half. The piece was of course his final work that a jealous Salieri helped coax out of him, which the scene of Frank dictating to Tracy parodies so well ("duo becomes a trio ... and a trio becomes a quartet ..."). Even Kenneth takes on the role of Constanze, Mozart's wife and protector. And, if the music and theme is the only reason for Dr. Spaceman to be running through the studio in a cape, it's worth it, don't you think? Favorite lines: Did anyone else see Liz' turn as an executive was a metaphor for living with the apes, a la Dian Fossey? Perhaps it was just a joke they set up that they couldn't deliver on effectively and decided to let it go? Song: "Requiem: Lacrimosa" - Mozart drake lelane Comments
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