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<description>Keep up on the latest movie news and commentary</description>
<pubDate>Mon, 09 Nov 2009 14:25:37 PST</pubDate>
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<title>What&#039;s the Big Deal?: Touch of Evil (1958)</title>
<guid>http://www.film.com/movies/touch-of-evil/story/whats-big-deal-touch-evil/30806814</guid>
<link>http://www.film.com/movies/touch-of-evil/story/whats-big-deal-touch-evil/30806814?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/eric-d-snider/30806814">Eric D. Snider</a></author>
<description>
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<p>A seedy border town, a fiery explosion, a corrupt cop, a family of drug lords -- <a href="http://www.film.com/celebrities/orson-welles/14569031">Orson Welles</a>' <em><a href="http://www.film.com/movies/touch-of-evil/6169579">Touch of Evil</a></em> has plenty of good old-fashioned entertainment. To read its plot description, you'd think it was no more vital a part of the canon than any other black-and-white crime thriller, yet it is spoken of in reverent tones as a &quot;classic&quot; and a &quot;masterpiece.&quot; So what's the big deal? Is it more than just populist entertainment? Or is it just really, really <em>good</em> populist entertainment? </p> <p><strong>The</strong>&#133;</p>
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<pubDate>Mon, 09 Nov 2009 12:14:00 PST</pubDate>
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<title>Big Hitter: 2012, Avatar&#039;s Budget, Seann William Scott, and a Seattle New Moon Contest</title>
<guid>http://www.film.com/features/story/big-hitter-2012-avatars-budget/30806320</guid>
<link>http://www.film.com/features/story/big-hitter-2012-avatars-budget/30806320?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/laremy-legel/30806320">Laremy Legel</a></author>
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<p/><b>What I'm Seeing This Week</b><br/><i><a href="http://www.film.com/movies/2012-columbia-pictures/25457899">2012</a></i>, <i><a href="http://www.film.com/movies/the-fantastic-mr-fox/28972949">The Fantastic Mr. Fox</a></i>, and <i><a href="http://www.film.com/movies/youth-in-revolt/22075415">Youth in Revolt</a></i>. I'm oddly excited for all three of these films, though for wildly divergent reasons. <i>2012</i> looks to be either a heap of fun or an absolute disaster (which could be fun). <i>Fantastic Mr. Fox</i> is another chance to peek inside Wes Anderson's brain, a fascinating and worthwhile cinematic vacation. <i>Youth in Revolt</i> was one of my favorite books of the past decade, and I think Michael Cera is the perfect Nick Twisp. So I'm hopeful!<p/><b>Wh</b>&#133;
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<pubDate>Mon, 09 Nov 2009 10:20:00 PST</pubDate>
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<title>Hollywood&#039;s 10 Best Alien Stories</title>
<guid>http://www.film.com/features/story/hollywoods-10-best-alien-stories/30804775</guid>
<link>http://www.film.com/features/story/hollywoods-10-best-alien-stories/30804775?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/c-robert-cargill/30804775">C. Robert Cargill</a></author>
<description>
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<p>When Hollywood looks to the skies and brings to us beings from another world, the result is rarely good for humanity. In fact, it usually means trouble. But sometimes, just sometimes, it means box office gold and some of the greatest movies ever made. This week, with the release of the alien abduction film <a href="http://www.film.com/movies/the-fourth-kind/30552720"><em>The Fourth Kind</em></a>, we once again look to the skies and give pause to think about the very best of previous visitations.</p> <p><a href="http://www.film.com/movies/close-encounters-the-third-kind/6132176"><em>Close Encounters of the Third Kind</em></a><br/> This <a href="http://www.film.com/celebrities/steven-spielberg/14596919">Steven Spielberg</a> classic is the&#133;</p>
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<pubDate>Sun, 08 Nov 2009 06:22:00 PST</pubDate>
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<title>Review: The Box is Uber Creepy Yet Interesting</title>
<guid>http://www.film.com/movies/the-box/story/review-box-uber-creepy-yet/30794287</guid>
<link>http://www.film.com/movies/the-box/story/review-box-uber-creepy-yet/30794287?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/laremy-legel/30794287">Laremy Legel</a></author>
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<p/><table> <tr> <td align="left" valign="top" width="80"> <!-- image tag for Review Grade --> <img border="0" height="57" src="http://i.realone.com/assets/rn/img/2/6/3/8/23088362.gif" width="57"/> </td> <td> <div id="review_quote" style="font-style: italic; color: rgb(167, 53, 26); font-size: 18px; line-height: 18px;"> <!-- Pull Quote text --> &quot;Not an easy film to talk about, but one worth seeing.&quot; </div> </td> </tr> </table> <br/> <p/><i><a href="http://www.film.com/movies/the-box/21491356">The Box</a></i> is not an easy film to talk about. Almost every description of the film will end up as a spoiler, it's fairly high concept, and it has a few glaring problems. However, <i>The Box</i> also presents huge moral dilemmas and is a genuine candidate for &quot;cult-classic&quot; status. I'm not sure exactly how I feel about it, perhaps some amalgamation of confused and captivated. Yes, <i>The Box</i> confustivated me.<p/>Borrowing from the synopsis:&#133;
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<pubDate>Fri, 06 Nov 2009 11:23:00 PST</pubDate>
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<title>Review: The Men Who Stare at Goats is Good, Not Great</title>
<guid>http://www.film.com/movies/men-who-stare-at-goats/story/review-men-stare-goats-good/30794129</guid>
<link>http://www.film.com/movies/men-who-stare-at-goats/story/review-men-stare-goats-good/30794129?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/c-robert-cargill/30794129">C. Robert Cargill</a></author>
<description>
<![CDATA[
<p/><table> <tr> <td align="left" valign="top" width="80"> <!-- image tag for Review Grade --> <img border="0" height="57" src="http://i.realone.com/assets/rn/img/2/6/3/8/23088362.gif" width="57"/> </td> <td> <div id="review_quote" style="font-style: italic; color: rgb(167, 53, 26); font-size: 18px; line-height: 18px;"> <!-- Pull Quote text --> &quot;For those looking for something off the beaten path ...&quot; </div> </td> </tr> </table> <br/> <p/>Almost 20 years ago director <a href="http://www.film.com/celebrities/roger-spottiswoode/14597396">Roger Spottiswoode</a> put to the screen an adaptation of an incredible book chronicling some of the crazy, unbelievable things our government, through the CIA, did during the Vietnam War. It was about a group of wild, unruly but brilliant pilots who flew stripped down civilian planes on military missions that NEVER HAPPENED. Drugs, money, weapons -- all to people we weren't supposed to be giving&#133;
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<pubDate>Fri, 06 Nov 2009 10:20:00 PST</pubDate>
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<title>Review: A Christmas Carol Not Merry Enough</title>
<guid>http://www.film.com/movies/a-christmas-carol-walt-disney/story/review-christmas-carol-not-merry/30794128</guid>
<link>http://www.film.com/movies/a-christmas-carol-walt-disney/story/review-christmas-carol-not-merry/30794128?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/laremy-legel/30794128">Laremy Legel</a></author>
<description>
<![CDATA[
<p/><table> <tr> <td align="left" valign="top" width="80"> <!-- image tag for Review Grade --> <img border="0" height="57" src="http://i.realone.com/assets/rn/img/3/7/3/8/23088373.gif" width="57"/> </td> <td> <div id="review_quote" style="font-style: italic; color: rgb(167, 53, 26); font-size: 18px; line-height: 18px;"> <!-- Pull Quote text --> &quot;This version of A Christmas Carol has very little story and even less Christmas cheer.&quot; </div> </td> </tr> </table> <br/> <p/>The old aphorism goes &quot;don't throw out the baby with the bathwater,&quot; but the makers of the latest iteration of <i><a href="http://www.film.com/movies/a-christmas-carol-walt-disney/25457910">A Christmas Carol</a></i> have flipped the script; they've created a film that <i>looks</i> amazing and combined it with an appalling lack of story. In essence they've provided a lovely, piping hot bath, all the while forgetting to actually place the dirty baby into it. We're left with only a&#133;
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<pubDate>Fri, 06 Nov 2009 10:07:00 PST</pubDate>
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<title>Review: Don&#039;t Bother Having an Encounter with The Fourth Kind</title>
<guid>http://www.film.com/movies/the-fourth-kind/story/review-dont-bother-having-encounter/30794127</guid>
<link>http://www.film.com/movies/the-fourth-kind/story/review-dont-bother-having-encounter/30794127?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/eric-d-snider/30794127">Eric D. Snider</a></author>
<description>
<![CDATA[
<p/><table> <tr> <td align="left" valign="top" width="80"> <!-- image tag for Review Grade --> <img border="0" height="57" src="http://i.realone.com/assets/rn/img/3/8/3/8/23088383.gif" width="57"/> </td> <td> <div id="review_quote" style="font-style: italic; color: rgb(167, 53, 26); font-size: 18px; line-height: 18px;"> <!-- Pull Quote text --> &quot;Not good, for sure, but at least it appears to have been attempting something intriguing.&quot; </div> </td> </tr> </table> <br/> <p/>When so many films are bad in lazy and ordinary ways, it's refreshing to occasionally see one that fails interestingly. <em><a href="http://www.film.com/movies/the-fourth-kind/30552720">The Fourth Kind</a></em> is that sort of movie: not good, for sure, but at least it appears to have been attempting something intriguing.<p/>Thanks to <em>Close Encounters of the Third Kind</em> (which it's strange no one in this film ever mentions), the common man knows about the degrees of&#133;
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<pubDate>Fri, 06 Nov 2009 10:03:00 PST</pubDate>
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<title>Hey, Academy, How&#039;s About Nominating In The Loop?</title>
<guid>http://www.film.com/features/story/hey-academy-hows-nominating-loop/30765359</guid>
<link>http://www.film.com/features/story/hey-academy-hows-nominating-loop/30765359?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/dre-rivas/30765359">Dre Rivas</a></author>
<description>
<![CDATA[
<p/>I'm not entirely sure what to expect with this year's Oscar race. Throw everything you know out the window, because for the first time in a long time the nominees are too long a list to predict. It's just a feeling game at this stage. And here's what I feel so far:<p/><em><a href="http://www.film.com/movies/up-in-the-air/28973202">Up in the Air</a></em><br/> <em><a href="http://www.film.com/movies/an-education/25457926">An Education</a></em><br/> <em><a href="http://www.film.com/movies/precious/25457970">Precious</a></em><br/> <em><a href="http://www.film.com/movies/nine/28065484">Nine</a></em><br/> <em><a href="http://www.film.com/movies/up/26845701">Up</a></em><br/> <em><a href="http://www.film.com/movies/invictus/28284724">Invictus</a></em><p/>All the above movies are looking pretty strong right now. <em><a href="http://www.film.com/movies/a-serious-man/25458012">A Serious Man</a></em>, <em><a href="http://www.film.com/movies/bright-star/27810091">Bright Star</a></em>, and <em><a href="http://www.film.com/movies/the-hurt-locker/21799075">The Hurt Locker</a></em> are all movies the Academy may or may not love as much as their strongest&#133;
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<pubDate>Thu, 05 Nov 2009 08:29:00 PST</pubDate>
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<title>Eric&#039;s Bad Movies: Surf Ninjas (1993)</title>
<guid>http://www.film.com/movies/surf-ninjas/story/erics-bad-movies-surf-ninjas/30765358</guid>
<link>http://www.film.com/movies/surf-ninjas/story/erics-bad-movies-surf-ninjas/30765358?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/eric-d-snider/30765358">Eric D. Snider</a></author>
<description>
<![CDATA[
<p/>Let's say you write a weekly column about bad movies, and that this column is extraordinarily popular and has made you beloved the world over. (LET'S JUST SAY.) Then let's say someone suggests as fodder for this column something called <em><a href="http://www.film.com/movies/surf-ninjas/14579215">Surf Ninjas</a></em>, which of course you have not seen, because why would you have seen a movie called <em>Surf Ninjas</em>? You'd be more likely to watch a movie called <em>Your Parents Having Sex</em>. So you watch <em>Surf Ninjas</em>, expecting it to be awful -- which it is -- but when it's&#133;
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<pubDate>Thu, 05 Nov 2009 08:20:00 PST</pubDate>
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<title>Best Actress Front-runners</title>
<guid>http://www.film.com/features/story/best-actress-front-runners/30756662</guid>
<link>http://www.film.com/features/story/best-actress-front-runners/30756662?pcode=film&amp;cpath=rss&amp;rsrc=movierss_film</link>
<author><a href="http://www.film.com/authors/maryann-johanson/30756662">MaryAnn Johanson</a></author>
<description>
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<p> So, as I sit down to write this, I've just come from a screening of <a href="http://www.film.com/movies/the-young-victoria/17539135"><i>The Young Victoria</i></a>, in which <a href="http://www.film.com/celebrities/emily-blunt/14635726">Emily Blunt</a> portrays the English queen at the beginning of her reign in the mid 19th century, with much pomp and pretty accents and costumes. And I'm glad I did, because it justifies my <strike>laziness</strike> <strike>procrastination</strike> prudence in holding off writing this for another day. Cuz it's one more flick I've got under my belt for awards season. </p> <p> Best Actress front-runners? Geez, who can tell at this point? With&#133;</p>
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<pubDate>Wed, 04 Nov 2009 09:37:00 PST</pubDate>
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