The impulse in the arts to build idols and smash them has found another victim in David Lynch. His early films (
Eraserhead, The Elephant Man, Blue Velvet) won a cult following that swelled in 1990 when
Twin Peaks debuted and stretched the confines of TV. For a few months, Lynch was a trendy darling. Then viewers, impatient with the erratic quality of the series, turned on
Peaks and on Lynch. Boos greeted this movie prequel at Cannes in May. In two years, Lynch has gone from genius to leper.
In