Go figure why Oscar winner William Hurt (
Kiss of the Spider Woman) would piss away his real talent on an unreal, trashy-silly melodrama that could barely hack it as a TV movie. Still, it's gratifying to see Hurt again, even in a supporting role as a crooked cop turned mob facilitator. He gives his lowlife character, Tommy Vesey, a bruised dignity that hints at hidden depths.
Everyone else in the cast seems content to play the one dimension provided by co-writer and director Heywood Gould (
One