Film.com's FREE movie of the week is "Love the Hard Way." Oscar-winner Adrien Brody and Charlotte Ayanna star in this drama about a thief who falls for a curious, beautiful young woman. As their intimacy grows, a slick cop (Pam Greer) is closing in.
When he falls ill on his way home from school, 15 year-old Michael Berg is rescued by Hanna, a woman twice his age. The two begin an unexpected and passionate affair only for Hanna to suddenly and inexplicably disappear. Eight years later, Michael, now a young law student observing Nazi war trials, meets his former lover again, under very different circumstances. Hanna is on trial for a hideous crime, and as she refuses to defend herself, Michael gradually realizes his boyhood love may be guarding a secret she considers to be more shameful than murder.
Something amazing happened last Thursday. Ready for it?The Reader is measurably the worst movie nominated for Best Picture this decade. It's not even close, actually. Secondly, the class of 2009 is the worst critical and financial
The Reader takes on complicated territory, covering Holocaust war crimes and an older woman's dalliances with a young man. Hanna (Kate Winslet) and Michael (David Kross) meet as 15-year-old David is making his way home from
Easily last year's most maligned Oscar-nominated film, The Reader was even openly mocked during the big opening Oscar number as Hugh Jackman sang about each film only to be surrounded by a bizarre array of dancers for The Reader s
"Its execution is a travesty -- cold and unfeeling."
The Reader is a dull slog of a movie gussied up by two Oscar-nominated actors -- Kate Winslet and Ralph Fiennes. If not for them, as well as an impressive performance by virtual newcomer David Kross, there would be nothing positive to say about it at all.Edit
PETER TRAVERS -
December 25, 2008
Delicate business is being transacted here concerning the nature of guilt, legal and moral. OK, that should scare off the action-junkie crowd. Now we can talk. Director Stephen Daldry and playwright David Hare, collaborators on The Hours, have done something profoundly right in bringing Bernhard Schlink's controversial German novel to the screen: They've made it personal. What if the person you love turns out to be a monster? That question arises when 15-year-old virgin Michael Berg (David