Maybe it’s a coincidence that two gifted young filmmakers — Wes Anderson and Spike Jonze (both born in 1969) — have latched on to kid lit and puppets for inspiration in the same year — first Jonze with Maurice Sendak’s Where the Wild Things Are, and now Anderson, having artful fun with Roald Dahl’s Fantastic Mr. Fox and giving the film a palpable texture (fur and corduroy, who knew?) by utilizing stop-motion animation with the skill of a master. (Regarding the controversy that Anderson gave…