Can and should audiences separate the artist from the art? That's the intriguing question at the heart of Woody Allen's latest film, the chamber piece "Sweet and Lowdown."
Whether he was inspired by Charlie Chaplin, Pablo Picasso or someone else, Allen suggests that one might look at what is created apart from who is doing the creation. While there are schools of criticism that would disagree and suggest that a person's private life affects his or her public persona, he makes his point in the
