After a fascinating September filled with great movies (Drive), awful movies (Abduction), and a whole lot of in between, plus the triumphant return of Lion King to theaters, we move into October on a bit of a movie high. After the collection of strong September 30 releases, I expect audiences to be even more jazzed for the remainder of the fall releases. October especially boasts an eclectic mix of films, representing horror, Oscar potential, long awaited festival darlings, and more. Oh — and a lot of remakes/sequels. A lot. The breakdown below.

Human Centipede 2 (Oct 7)
The sequel to the 2009 surprise cult hit Human Centipede, but with what sounds like double the meta and triple the disgusting, Human Centipede 2: Full Sequence is about a man who becomes “sexually obsessed” with the first Human Centipede film (often masturbating with sandpaper to it…), so he decides to create his own in real life, but with 12 people, instead of three. I might throw up just describing the plot.

Am I seeing it? Ummmm. I refuse to even watch a trailer for the first Human Centipede, sooooo. I’m gonna go with absolutely not.

The Thing (Oct 14)
The remake/prequel of the beloved John Carpenter flick is finally coming to theaters after being delayed from a spring release. I have a soft spot for the original, which simultaneously makes me curious about this film and dread it. I hate the idea of audiences seeing the “blood test” scene for the first time in this version and not the Carpenter one. Granted, my generation most likely got introduced to this genre and that type of scene with The Faculty, but still. Ain’t no alien testing scene like a Carpenter Thing alien testing scene.

Am I seeing it? I’m curious, so I’m not opposed. It may just end up happening on Blu-ray instead.

The Skin I Live In (Oct 14)
The latest from oft genius Pedro Almodóvar about a plastic surgeon experimenting with a new type of synthetic skin. I’m sure it will be every bit as disturbing as that one sentence suggests. This is the man who directed Talk to Her, after all. I’ve heard it’s not his best, but still worth seeing and as close to a B horror film as Almodóvar has gotten, in the best way possible.

Am I seeing it? Definitely.

Paranormal Activity 3 (Oct 21)
The third installment in the extremely popular and lucrative Paranormal Activity series, this one brings the stories of the first two films together, prequel style. It will make lots and lots of money.

Am I seeing it? I saw the first but never saw the second, so I’m not sure I’d go out of my way to see the third, but I do appreciate gore-less horror.

Real Steel (Oct 7)
This looks like such a “Live-Action Disney Movie” it makes me laugh. Chortle even. I’m positive that 13-year-old boys will love it, but I don’t think it has nearly the wide reach the studio is hoping for.

Am I seeing it? I have no interest. No.

Footloose (Oct 14)
Another remake! This one of a film I haven’t seen. No really, I haven’t seen Footloose. Which also may explain why I don’t care about seeing this movie. I’ve been hearing good things, but my mind hasn’t changed.

Am I seeing it? Eh.

The Three Musketeers (Oct 21)
I guess this can’t be referred to as a remake, since that’s not technically accurate, but there have been plenty of takes on The Three Musketeers, so you can’t exactly call this flick “original.” But I do happen to love the Musketeers and I also dig the idea of seeing Orlando Bloom chew the scenery as the villain. Oh, and Logan Lerman is in it. I hearts him. So even though the film is surrounded by red flags and will most likely be terrible, I’m still kind of looking forward to it…

Am I seeing it? Maybe. I kinda really want to … but I suppose it will come down to reviews. I’m interested, but not so keen on wasting time and money.

In Time (Oct 28)
A science-fiction flick from Gattaca director/Truman Show writer Andrew Niccol, which showed off some footage at Comic-Con this year. I dig the concept of buying and selling time in an eternal quest to stay age 25, and the concept was enough to get me to rent flicks like Surrogates and TiMER, so I’m still feeling mildly optimistic about this one, despite the fact that I’m actively NOT a fan of Justin Timberlake and I wasn’t totally sold by the Comic-Con footage.

Am I seeing it? At some point, yes, but whether or not it will be in theaters is yet to be determined. I’m not sure I want to help Justin Timberlake become a movie star.

The Big Year (Oct 14)
Steve Martin, Owen Wilson, and Jack Black team up to go bird watching — a movie lover’s dream come true! But seriously, I actually have high hopes for this one — it’s directed by David Frankel of The Devil Wears Prada and the cast (which also includes Rashida Jones, Joel McHale, and Jim Parsons) is known for bringing the funny. And despite what the poster suggests, it’s more about three men dealing with various crises in their lives by following their dreams for a year than it is about bird watching.

Am I seeing it? I can’t say I’m particularly intrigued by the concept, but I’m very intrigued by the creative team, so I just might make the effort.

Johnny English Reborn (Oct 28)
Rowan Atkinson reprises the role of MI-7 spy Johnny English in this sequel to the 2003 spoof comedy. The reviews have been fairly mixed, but I imagine if you’re a fan of Atkinson’s trademark slapstick comedy, you’ll have a good enough time with this one.

Am I seeing it? As I’m not a huge fan of this realm of the comedy world? Gonna have to say no. But I respect Atkinson and wish him and the film the best.


And They’re Off (Oct 28)
A mockumentary about horse racing starring Sean Astin, Cheri Oteri, and Martin Mull that I didn’t know existed. The trailer isn’t especially funny, but the people involved are pretty solid, so who knows?

Am I seeing it? I don’t know. Maybe? If it’s good? Probably not.

The Ides of March (Oct 7)
FINALLY! I saw the play this film is based on, Farragut North, twice, in two different cities, with two different leading men (Chris Pine in LA and Tony winner John Gallagher Jr. in NYC), and I absolutely love it. The play got its start at the Atlantic Theater Company, which holds a very special place in my heart, so I was thrilled when I heard it was optioned — by George Clooney yet. And although I kind of wish *some* of the original cast was retained, even just one person (Olivia Thirlby, Evan Rachel Wood), I’m still looking forward to it and rooting for its success. Oh, and the cherry on top? Score by Alexandre Desplat. Whom I love.

Am I seeing it? Opening weekend.

The Rum Diary (Oct 28)
Based on the novel of the same name by Hunter S. Thompson, the film stars Johnny Depp, Aaron Eckhart, and inexplicably, Amber Heard. The topic is prescient, corrupt businessmen and the journalists who may or may not expose them and all, and it certainly looks entertaining enough.

Am I seeing it? Probably.

Anonymous (Oct 28)
A film exploring the controversial stance that Shakespeare wasn’t the true author of his plays directed by Roland Emmerich. I don’t remotely care for this theory and frankly, don’t care much for Emmerich either, but the trailer struck me as bizarre enough to pique my interest. My brain doesn’t understand a movie about Shakespeare being shot so stylistically, and wants to know more.

Am I seeing it? Perhaps, although I don’t see myself making the time to go during its theatrical run unless the reviews are outstanding.

The Double (Oct 28)
Spies, murders, assassins, intrigue, government secrets, and Topher Grace.

Am I seeing it? If I do, it’s literally because of Topher Grace. I love him. It’s weird.

Take Shelter (Oct 7)
(From our September at the Movies article)
A must-see if you’re trying to see all 87 of Jessica Chastain’s 2011 releases. Here, she plays wife to the brilliant Michael Shannon, who is having apocalyptic visions of an incoming storm and starts secretly building a shelter to protect them before realizing that it may be him, not the storm, that warrants his family’s concern. Won the International Critics Prize at Cannes.

Will I be seeing it? Based on what I’m hearing about Michael Shannon’s performance alone, yes.

Dirty Girl (Oct 7)
Picked up after it’s 2010 TIFF premiere and taking home the top prize at the 2011 Provincetown Film Festival, Dirty Girl, set in the ’80s, tells the story of Danielle, the “dirty girl” of Norman High School, who runs away to California with her new closeted friend, Clarke, so she can find her father, and he can escape being sent to military school.

Am I seeing it? In theaters, maybe not, but I’m definitely interested.

Martha Marcy May Marlene (Oct 21)
I’ve been hearing about it nonstop since its splash of a debut at Sundance when director Sean Durkin walked away with Dramatic Directing honors. It put Lizzie Olsen on the map as far as bloggers and industry insiders go, and the release of this film will open her up to audiences nationwide. I suspect this is just the beginning of a long, successful career for both her and Durkin.

Am I seeing it? As soon as possible.

Like Crazy (Oct 28)
Anton Yelchin is my secret crush. In this movie, Anton Yelchin engages in activities of a romantic nature. I will love this movie. The plot description sounds like Going the Distance, but with 50 percent more British and 100 percent more not terrible. It won the Grand Jury prize at Sundance over fellow October releases Martha Marcy May Marlene and Take Shelter, both of which are supposedly fantastic, so you know this one’s gotta be good.

Am I seeing it? Yes. Yes I am.

Other October Releases:
The Swell Season (Oct 7)
Blackthorn (Oct 7)
Texas Killing Fields (Oct 14)

Fireflies in the Garden (Oct 14)
Trespass (Oct 14)
Margin Call (Oct 21)

Retreat (Oct 21)
13 (Oct 28)
Sleeping Beauty (Oct 28)

Tags: Anonymous, Ides of March, Paranormal Activty 3, Real Steel, the thing