On the battlefield of broken relationships that is
Husbands and Wives, Woody Allen is bracingly out of control. Carlo Di-Palma's restless camera and Susan E. Morse's whiplash editing often create a dizzying blur just to keep pace with the sexual salvos. Allen has never crafted anything as fiercely funny as this comedy of coming apart; it's a groundbreaking film, full of sublime performances alert to the violence done in the name of love. The question now is, will anyone notice?
Woody and Mia's