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The Top Fifteen Trailers
Warner Bros. Pictures
details
Release Date: Apr 12, 2002
Running Time: 98 mins. (V)
Country Of Origin: United States
synopsis
A rush-hour fender bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying one another might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost. Late for court, high powered attorney Gavin Banek is weaving through heavy traffic. In a different lane is Doyle Gipson, a father whose right to see his children rests on the decision of a judge with a full docket and no time to spare. On the surface, Banek and Gipson are two very different men: one is struggling away from rock bottom. But a minor accident will drive these two strangers to the brink of self-destruction, and prove that rage can equalize any playing field when men turn into beasts.
cast + crew
Director
Gavin Banek
Doyle Gibson
Michelle
The Sponsor
Gordon Pinella
Ellen
Walter Arnell
Valerie Gipson
Delano
Cynthia Banek
Producer
Co-Producer
Executive Producer
Executive Producer
reviews
A rush-hour fender bender on a crowded New York City street sets off a chain reaction that could destroy two people's lives: a high-powered attorney and a father who stands to lose his children. Story Gavin Banek (Ben Affleck) is a young, high-powered Wall Street attorney working for his father-in-law's firm. On Good Friday, Banek is on FDR Drive on his way to court for a probate case involving a multimillion-dollar trust when he gets distracted on his cell phone. One lane over is Doyle Gibson
April 10, 2002
Hello, assholes! Think that's rude? Wait till you see Changing Lanes, a film that is unapologetically pissed off. From the opener, when Ben Affleck's yuppie-scum lawyer Gavin Banek and Samuel L. Jackson's harried wage slave Doyle Gibson sideswipe each other on Manhattan's FDR Drive, anger is fuel. What these guys do for revenge during one hellish day in the Big Apple makes the panic room look like Barney's toy box. The film itself goes off the deep end way before the end credits. Despite slick
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