movie show times and tickets
Movie Showtimes
The Top Fifteen Trailers
Paramount Pictures
related links
details
Studio: Paramount Vantage
Release Date: Mar 2, 2007
Running Time: 115 mins.
Country Of Origin: United States
synopsis
There was a time when Lazarus played the blues; a time he got Bojo's Juke Joint shakin' back in the day. Now he lives them. Bitter and broken from a cheating wife and a shattered marriage, Lazarus' soul is lost in spent dreams and betrayal's contempt--until Rae. Half naked and beaten unconscious, Rae is left for dead on the side of the road when Lazarus discovers her. The God-fearing, middle-aged black man quickly learns that the young white woman he's nursing back to health is none other than the town tramp from the small Tennessee town where they live. Worse, she has a peculiar anxiety disorder. He realizes when the fever hits, Rae's affliction has more to do with love lost than any found. Abused as a child and abandoned by her mother, Rae is used by just about every man in the phone book. She tethers her only hope to Ronnie, but escape to a better life is short-lived when Ronnie ships off for boot camp. Desperation kicks in, as a drug-induced Rae reverts to surviving the only way she knows how, by giving any man what he wants to get what she needs--until Lazarus. Refusing to know her in the biblical sense, Lazarus decides to cure Rae of her wicked ways--and vent some unresolved male vengeance of his own. He chains her to his radiator, justifying his unorthodox methods with quoted scripture. Preacher R.L. intervenes, but it is Lazarus and Rae who redeem themselves. Unleashing Rae emotionally, Lazarus unchains his heart, finding love again in Angela. By saving Rae, he frees himself.
cast + crew
Director
Lazarus Woods
Rae
Ronnie
Reverend R.L.
Angela
Rose Woods
Sandy
Tehronne
Lincoln
Screenplay
reviews
PETER TRAVERS -
February 20, 2007
As he proved in 2005 -- with his rap about how it's hard out here for a pimp in Hustle & Flow -- writer- director Craig Brewer doesn't just use music in film, he lets it breathe. It's raw Memphis blues, from Blind Lemon Jefferson to R.L. Burnside and Jessie Mae Hemphill, that informs Brewer's Black Snake Moan. But, oh lordy, when the music stops, this movie needs a respirator. Look, I'm not knocking Brewer -- the dude has a real talent for evoking atmosphere -- and the eye-filling sight of a
SoÂ…Samuel L. Jackson does occasionally take roles for more than just a paycheck! Maybe he does read the screenplays before accepting roles! Kidding, of course, but at least the Pulp Fiction star plays flesh and blood here instead of whatever you want to call his last dozen or so characters. When Jackson allows himself to be vulnerable, as he does in Snake, he reminds you of his thespian side from back in the 20th century. And in the film, when he moans the blues, he reminds you of bluesmen from
|
||||||||||