A former writer for The New Yorker who wrote many distinguished scripts for live TV in the late 1940s, Bernstein earned one feature credit, for "Kiss the Blood Off My Hands" (1948), before being blacklisted in 1950. He returned to film work nine years later, scripting such fine films as Sidney Lumet's "Fail Safe" and John Frankenheimer's "The Train" (both 1964) with Franklin Coen and Frank Davis, and Martin Ritt's "The Molly Maguires" (1970), which he co-produced. His screenplay for "The Front" (1976) was a poignant, embittered portrait of the travails of a circle of screenwriters during the
While staff sergeant in the Army during WWII wrote "Reporter-at-Large" column for The New Yorker and was roving correspondent for Yank magazine; became staff writer for The New Yorker after war
1948
First film credit (as co-adaptor), "Kiss the Blood Off My Hands"
Blacklisted during the 1950s
1959
First screenwriting credit after blacklisting, "That Kind of Woman", directed by Sidney Lumet
1960
Did uncredited screenwriting on "The Magnificent Seven"
