Ursula Andress assured her place in pop culture history with a single, brief shot from the first James Bond film, “Dr. No” (1962). Rising from the Caribbean surf in a white swimsuit, dagger clasped firmly to her hip, and singing a calypso tune, she embodied both the Bond aesthetic and the new sexual freedom of the 1960s in one tanned, impossibly blonde frame. The roles she played in her subsequent film career were essentially carbon copies of her Bond character – icy and dangerous on the surface, but secretly limitless in their carnal natures – and if the films rarely afforded her more