With a resume that boasted an assortment of villains and ne’er-do-wells, actor Tim Roth often had to avoid being typecast in order to play roles that demonstrated his extraordinary talents. Equally at home in both comedy and drama, Roth made an immediate impression as an unrepentant skinhead – complete with swastika tattoo on his forehead – in his first onscreen performance, “Made in Britain” (1982). He quickly became in demand after playing an assassin-in-training in “The Hit” (1984), then made a name for himself in the United States as a troubled Vincent Van Gogh in Robert Altman’s “Vincent
