Music on TV This Week: The Police
The last ever televised performance of the Police is a Spectacle, while Iron & Wine is quite the opposite.
Sting and The Police on the musical/talk show 'Spectacle' -
Sundance
If there's one flaw in Sundance's music-oriented talk show Spectacle, it's that host Elvis Costello can be a little too familiar with his guests, and that's exacerbated in this week's episode, with tour mates The Police stopping by the program. At several points during the separate interviews with members Andy Summers, Stewart Copeland and Sting, there's the urge to wake them up (Summers), put them in restraints (Copeland), and slap their smug face (Sting). But it's also a strength of the show that Costello allows their various annoyances to come to the surface in an interview with him, as they feel comfortable to be how they are backstage on tour together. The episode was taped the night before The Police shared the stage with Elvis Costello for their last performance (apparently, forever), making this their second-to-last performance (and last televised performance) ever. It's a small stage (the smallest they figure they've played in 30 years), but it doesn't feel very intimate. It might be due to there being two drummers, two bass players, two guitarists along with keyboards, and a lot of ego on stage mucking up the sparse sound of The Police and Costello's heyday. On the other end of that spectrum is Sam Beam, aka Iron & Wine, who sounds intimate even playing to large crowds at an outdoor festival. While he's expanded the instrumentation of his recordings in recent years, it's typically just him and his acoustic guitar when he makes these appearances. Even if he does bring a band with him when he performs on The Tonight Show with Jay Leno Monday night, his delivery still feels intimate, reserving volume instead for the strength of the song he's currently playing.
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Nosferatu: A Symphony of HorrorFilm.com's FREE movie of the week is "Nosferatu: A Symphony of Horror." This 1922 classic of cinema based on Bram Stoker's "Dracula" (but with names changed) directed by F.W. Murnau and starring Max Schrek in one of films most famous and frightening make-up jobs.
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