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DetailsNationality: American
Birthdate: 02/23/1938
Birthplace: New York City, New York, USA
biography
Often overlooked as an independent filmmaker because of his association with Andy Warhol, Paul Morrissey was instrumental in enhancing the celebrity of that pop icon, while his own fame fell victim to the success of his myth-making. The Fordham University graduate had made several short films prior to meeting Warhol who remarked, "Your films are great. They are in focus! Why not come help me make a movie?" Warhol had already made the epically monotonous "Empire" (1964), in which the camera stares at the Empire State Building for eight hours, among his experiments in the inane. Morrissey
CreditsmilestonesYear
Milestone
While working at an insurance office job in Manhattan was inspired to make movies by critic-filmmaker Jonas Mekas' Monday evening programs at an Off-Broadway theater
Made own short films in the 1960s, including "Ancient History" (1961), a five-minute "rearranged newsreel", and "Taylor Mead Dances" (1963), a 14-minute profile of underground "superstar" Taylor dancing with wild abandon at the Second City nightclub
Introduced to Andy Warhol through mutual friend, poet Gerard Malanga
Managed the celebrity of Warhol, using the "underground" films to raise the artist's profile and ultimately the price of his art; put Warhol on the lecture circuit, allegedly going back and forth across the country the first year with a Warhol impersonator, owing to Warhol's fear of speaking in public; discovered Nico and the Velvet Underground and signed them to a management agreement and was instrumental in the production and selling (to Verve Records) of their first album; also served as the first editor of Interview magazine until he turned it over to Bob Colacello who worked as editor from 1970-1982
1965
First Warhol film on which he considers he had input in the direction, "My Hustler", his third or fourth project with Warhol; convinced Warhol that a panning camera produced footage superior to that captured by a fixed camera, putting an end to Warhol's use of the fixed camera
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