Entering the entertainment industry as a television writer on cop shows in the 1970s, Michael Mann went on to become one of Hollywood's leading directors, enjoying great critical success on the small and large screens alike. As the executive producer of "Miami Vice" (NBC, 1984-89), Mann was responsible for a critical hit-turned-cultural phenomenon that introduced a proliferation of pastel colors into male wardrobes. Though his official debut as a film director came with the moody “Thief” (1981), Mann came into his own with the underappreciated thriller “Manhunter” (1986), the first in a
Michael Mann likes to shoot a lot of footage. He will put the camera anywhere. Behind the back, behind the ear, he doesn't just want us to get inside the actors' heads, he wants us inside them. If he could, he'd suck us into their
Michael Mann. Once a pioneer of dark, nihilistic action, he's since continued his mood and themes while pioneering new HD technologies. The trouble is, while Mann loves shooting on digital, he's not a fan of going to the lengths