Luchino Visconti occupies a unique place in the history of world cinema; he is the most Italian of internationalists, the most operatic of realists, and the most aristocratic of Marxists. Although one of the progenitors of the Italian neorealist movement, Visconti, with his love of spectacle and historical panorama, would seem to have more in common with Orson Welles or even Erich von Stroheim than with Rossellini or De Sica. Directors as diverse as Bertolucci, Scorsese, Coppola and Fassbinder have named him as a major influence.Born to an aristocratic family, Visconti spent the pre-WWII years
Early interest in breeding of racehorses for ten years
1926
Served in Reggimento Savoia Cavalleria
1928
Debut as stage set designer
Moved to Paris; worked for Jean Renoir as costume designer and third assistant director on "Un Partie de Campagne/A Day in the Country" (1936) and "Les Bas-Fonds/The Lower Depths" (1937)
