Along with Australian directors Gillian Armstrong, Jocelyn Moorhouse and Shirley Barrett, Jane Campion has emerged as a major feminist filmmaker. She has been responsible for some of the most acclaimed films to have originated from Down Under since the late 1980s. Her features all have one thing in common: a powerful, courageous woman as a central figure. From Genevieve Lemon's unhinged "Sweetie" (1989) to Kerry Fox's mentally troubled Janet Frame in "An Angel at My Table" (1990) to Holly Hunter's mute Ada in "The Piano" (1993) to Nicole Kidman's manipulated Isabel Archer in "The Portrait of a