The attractive, often somber French-Canadian film star Genevieve Bujold established herself as a thoughtful, mature screen lead in the 1960s, becoming an international star with "Anne of the Thousand Days" (1969). In the 70s, she appeared in a string of run-of-the-mill movies before returning to form in the 80s.The product of a strict convent education, Bujold dropped out to pursue an acting career. She studied her craft at the Quebec Conservatory of Drama before joining the Le Rideau Vert repertory company where she made her stage debut in "The Barber of Seville" and went on to star as "St.
